![]() This is doubly true as the details of e-rights are being hammered out. If you're dealing with an editor, an agent is worth his or her weight in gold in terms of contract negotiation (not to mention that going with an agent in the first place generally makes it much easier to get an editor's attention).In tried-and-true Bullet-o-Vision™ (I really should make a blog label for this): This is true for more than a few reasons. In short: regardless of whether you're going (exclusively) digital, you want an agent.Įven if you fancy yourself a complete one-(wo)man show, an agent's multiple talents, myriad connections, and considerable experience will all be great assets to you in your quest for publication. The digital age means more books are available in more ways than ever before, which in turn means two things: first, you have that much more competition for eyeballs, and second, you need some way to differentiate yourself from the crowd such that all those eyeballs are reading your book. The times, they are a-changin', mes auteurs.
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